Aperture vs Distance: What Affects Depth of Field More?

You know that aperture, focal length, and distance all affect DOF. But which one matters most? We ran the numbers to find outβ€”and the answer might surprise you.

The Three DOF Factors

Before we compare, let's recap the three main factors that control depth of field:

All three factors play a role, but their impact is not equal. Let's find out which one dominates.

Test 1: Aperture Change

Let's see what happens when we change only the aperture, keeping everything else constant.

πŸ“· Settings: 85mm lens, 3 meter distance, Full-frame

f/1.8 Total DOF: 8 cm
f/4 Total DOF: 18 cm
f/8 Total DOF: 36 cm
f/16 Total DOF: 74 cm

Going from f/1.8 to f/16 (a change of about 6 stops) increased DOF by 9x. That's significant!

Test 2: Distance Change

Now let's change only the subject distance.

πŸ“· Settings: 85mm lens, f/4, Full-frame

1 meter Total DOF: 2 cm
2 meters Total DOF: 8 cm
5 meters Total DOF: 51 cm
10 meters Total DOF: 2.1 m

Moving from 1 meter to 10 meters increased DOF by over 100x! That's an enormous change.

πŸ† Key Finding

Subject distance has a far greater impact on depth of field than aperture. Doubling your distance roughly quadruples your DOF. Changing aperture by the same factor only doubles it.

Test 3: Focal Length Change

Finally, let's test focal length. This one's tricky because changing focal length changes your framing.

πŸ“· Settings: f/4, 3 meter distance, Full-frame

24mm Total DOF: 5.7 m
50mm Total DOF: 92 cm
85mm Total DOF: 18 cm
135mm Total DOF: 11 cm

Going from 24mm to 135mm reduced DOF by about 50x. Focal length has a huge impact too!

The Verdict: Which Matters Most?

πŸ₯‡ Distance

Biggest impact

>

πŸ₯ˆ Focal Length

Major impact

πŸ₯ˆ Focal Length

Major impact

>

πŸ₯‰ Aperture

Moderate impact

The ranking is:

  1. Subject Distance β€” Has the greatest impact by far
  2. Focal Length β€” Very significant effect
  3. Aperture β€” Important, but less dramatic than the others

Why This Matters for Your Photography

For Shallow DOF (Portraits, Subject Isolation)

If you want the creamiest background blur, prioritize in this order:

  1. Get closer to your subject β€” This has the biggest impact
  2. Use a longer focal length β€” An 85mm will blur backgrounds more than a 35mm
  3. Open your aperture β€” f/1.8 helps, but it's the cherry on top, not the main factor

For Deep DOF (Landscapes, Architecture)

If you want everything sharp:

  1. Step back if possible β€” Distance is your friend
  2. Use a wider lens β€” 16-24mm gives much more DOF than a 50mm
  3. Stop down to f/8–f/11 β€” But don't go beyond f/16 (diffraction)

πŸ’‘ Practical Takeaways

  • Struggling to blur the background? Move closer before opening your aperture wider
  • Can't get the foreground sharp in a landscape? Try a wider lens before stopping down
  • At close distances (macro), even f/16 gives paper-thin DOFβ€”distance dominates
  • Telephoto compression isn't just about perspectiveβ€”it dramatically reduces DOF too
  • Subject-to-background distance matters as much as camera-to-subject distance for blur

Real-World Comparison Table

Here's a comprehensive comparison showing how each factor affects DOF independently:

Change Made DOF Before DOF After Change
Aperture: f/2 β†’ f/8 10 cm 40 cm 4x deeper
Aperture: f/2 β†’ f/16 10 cm 82 cm 8x deeper
Distance: 2m β†’ 4m 10 cm 40 cm 4x deeper
Distance: 2m β†’ 8m 10 cm 164 cm 16x deeper
Focal: 85mm β†’ 50mm 10 cm 29 cm 3x deeper
Focal: 85mm β†’ 35mm 10 cm 59 cm 6x deeper

Notice how doubling the distance (highlighted rows) has a more dramatic effect than extreme aperture changes.

πŸ”¬ Run Your Own Tests

Try different combinations in our calculator and see the DOF changes in real-time.

Open DOF Calculator

The Bottom Line

Many photographers obsess over aperture when trying to control depth of field. While aperture matters, distance and focal length often have a bigger impact.

Next time you want more or less DOF, consider all three factors:

Thinking this way will give you much more creative control over your images than just reaching for the aperture dial.